Forms and Patterns

THE RANGE of colours and compositions found in kilims is enormous, from intricate designs in natural, undyed wool to simple, vividly coloured geometric patterns. Kilim owners are often able to trace the origins of their rugs back to a particular tribe, area or town, and many styles can be clearly and easily identified once you know what to look for. The great charm of kilims is that you do not need to be a learned rug expert or academic to be able to spot certain characteristics and pinpoint their origins. The exact sources of many types are still far from clear, and are debated hotly by collectors, dealers and owners alike. In the Middle East and Central Asia, history is enshrined in the oral tradition of tribal folklore, and few tribes lhave enjoyed peace and stability for any lenght of time- a situation which militates against a rigid and academic approach.
This chapter will begin with a look at ways of interpreting the ancient symbols and motifs found on kilims, and with a description of the more unusual forms, such as prayer rugs, bags and runners, that are sometimes available in the West. Finally, there is a comprehensive guide to every major kilim type, starting in Anatolia and moving east towards Afghanistan, following the zig-zag path of the ancient trade routes, describing the colours, patterns and materials used in antique, old and new rugs from all the main areas of production.